Ascension
“A stunner”
—
Ascension: the most remote island in the world . . .
Elliot Kane, former spy, trying to leave the world of espionage behind.
Kathryn Taylor: a stalled career in MI6, running the South Atlantic desk.
Rory Bannatyne: covert technical specialist. Dead, apparently of suicide.
Three friends from a mission many years ago reconnect when one of them dies on Ascension Island. Rory Bannatyne had been tasked with tapping a new transatlantic data cable, but a day before he was due to return home he is found hanged. When Kathryn Taylor begs Kane to go over and investigate, he can’t say no, but it’s an uneasy reintroduction to the intelligence game.
Ascension is a curious legacy of England’s imperial past. Only employees and their families are allowed to live there. It’s home to several highly-classified government projects, a British and American military base, and forty dead volcanic cones. Entirely isolated from the world, the disappearance of a young girl at the same time as Rory’s death means local tensions are high. Elliot needs to discover what happened to her as well as to Rory. But the island contains more secrets than even the government knows, and it’s not going to give them up without a fight.
Reviews
‘A twisty, propulsive spy thriller, all set against the vividly evoked hellscape of one of the most remote islands in the world.’
Irish Times
‘One of the best new spy series continues with ex-spook Elliot Kane reluctantly back in harness to investigate the suspicious death of a former colleague on Ascension Island. First-class cloak-and-dagger stuff against an unusual backdrop.’
Daily Telegraph
‘A corker…Harris expertly keeps the plates spinning while breathing thrilling life into the ex-pat community and its moon surface existence.’
Big Issue
‘One of our finest thriller writers…Fans of his criminally underrated Belsey novels, about a corrupt London detective, will recognise some familiar themes, including a soft spot for heroic losers and an interest in the physical and mental remains of the Cold War. But it is the location that matters most of all, windswept and staffed by a mixtures of spooks, oddballs and drunks, and it will stay with you long after you close the book.’
Evening Standard
‘Harris evokes a powerful sense of place in a landscape where the elements turn out be a character in its own right and the intrigue developing as a result of his investigation quickly sets up a rather frantic and tense finale. A bloody good read!’
Maxim Jakubowski, Crime Time
‘Oliver Harris’ Ascension is a stunner. What a pleasure it is to read a book with a powerful story, an unusual and fully realised setting, a convincing hero, all written in a style of luminous clarity.’
Philip Pullman
Extract from the book
Chapter 1
THEY UNLOADED THE COFFIN LAST: GRAY PLASTIC, OF THE KIND HOSpitals have for mass-fatality incidents. It had been at the far end of the C-17 aircraft when it landed at Brize Norton an hour ago, bare, untagged. Six men carried it into the cargo bay. It wasn’t clear to anyone present what procedure to follow, because no one had any idea who it contained.
Flight Lieutenant Trevor Hughes was responsible for the loading and unloading of all aircraft. He had walked through the plane’s stale air, checking equipment and coordinating its discharge. It was only when the tents and packs had been cleared that he’d seen the coffin, secured by webbing at the back. A sealed box of possessions sat beside it.
“Picked it up at Cape Verde when we refueled,” the aircraft’s warrant officer said. “Nothing’s written on the docket. I was told there’d be someone here to meet it.”
Hughes shook his head. He took pride in his job, but it depended on clear lines of communication.
“Got a contact? A regiment?”
“Nothing.”
“What am I meant to do with it?”
“Unload it, I guess.”
Brize Norton was the sole airbridge to all British forces serving internationally. It was a portal through which the UK military could inject itself into the world, and whatever remained of those missions at the end flowed back. It was a border, and, as at any busy border crossing, a settlement had grown, with its own hotel, fire station, medical center, and post service. It ran like clockwork, never more so than surrounding a repatriation. No one had told Hughes about a repatriation. Usually there would be a hearse waiting, a chaplain, flags at half mast, wreaths for the bereaved. The flight lieutenant didn’t feel qualified to receive the dead alone. Something had gone wrong, but not as wrong as to whoever lay inside the box. Hughes had a ritual he performed when bodies returned, and he performed it now: He touched the coffin and said, “Welcome home.” Then he added, “Whoever you are.”